Heritage Open Days 2020

The Story of The Art Collection

Local artists played a central role in the campaign "Milton Keynes is Dying for a Hospital" in the 1970s. They created what became iconic protest sculptures – such as a giant question mark placed on the empty building site and a much larger than life Florence Nightingale puppet – an early sign that art was always going to be at the heart of the hospital when it arrived. When the hospital was finally opened in 1984, a group of artists had the vision to form the Voluntary Hospital Arts Committee, which later became the charity Arts for Health.


Archive image from the ‘Milton Keynes is Dying for a Hospital’ campaign.

Milton Keynes University Hospital is now home to the largest permanent public art collection in Milton Keynes, consisting of over 450 artworks. The Collection ranges from paintings, prints and drawings to sculptural pieces, photography and commissioned works, which are on public display in the corridors, waiting rooms, courtyards and wards.

The architecture of the hospital reflects the original ethos of the new town, in that no building should be taller than the tallest tree, and with great value placed on green spaces and natural light. This means our hospital is full of courtyard gardens. Four of the courtyards are looked after by Arts for Health, and feature engaging sculptures within creative garden designs.

Since the hospital opened in 1984, evidence has built to prove that artwork on display can and does have a positive impact on the health and wellbeing of patients, visitors and staff in healthcare settings. The Collection is looked after with this in mind, and careful thought is given to what artworks are placed where.

As well as improving the clinical environment, many of the artworks in The Collection link the hospital to the local community by telling stories from the birth and development of the new town. Some pieces were commissioned to mark special anniversaries of the hospital. Other artworks were donated by artists or individuals to thank the NHS for caring for their family.

Diana Winkfield’s painting ‘Adam and Eve’ uses the imagery of the biblical creation story to mirror the creation of the new town. Diana lived in Milton Keynes before the town was even built and remembers the excitement surrounding the building work – with the countryside turning into sparkling grids of new roads and houses.

The painting ‘Fast Lines’ by early Milton Keynes artist-in-residence Stephen Gregory shows the central station being constructed in the 1970s, even as trains raced through.

The Aubrey Williams painting ‘Shostakovich Symphony No 6’ was donated by Lord Jock Campbell, Chair of Milton Keynes Development Corporation from 1967 to 1983, as a thank you to the hospital for the care his wife received.

Sculpture is also well represented in the collection, and the hospital is lucky to have work by well-known sculptors including Jon Buck, Anthony Abrahams and Peter Randall-Page.  ‘Monumental Family’ by Jon Buck is a particularly well-loved sculpture which has watched over many changes at the hospital – it was originally sited outside the old Main Entrance which is now the new A&E.

Paper Care Series (2017) paper cut collage, Stacey Allan